| | "Still a bit too malevolent a focus for my taste. Even for a fictional hero. (How does it advance the story? I'd have to read it.) Instead of pissing and moaning about all the bad people, seek out the best and the brightest ones and work with them. Life is too short to endlessly complain about the evil if that takes away from creating enclaves of the good."
Interesting, Phil. This is certainly the Roarkian way of doing things, and even the Galtian way. But if there was no conflict for these characters, there'd be no story. (Even if the conflict is not directly theirs, the conflict of characters like Dominique and Dagny revolve around what you suggest above.)
Now, with Ditko, I think he realized that in order to have a story, he needed conflict, or else he'd just be drawing lots of pictures. So for his conflict, he chose those situations where the good people are forced to deal with the bad people. For example, reporter Vic Sage has a circle of rational friends. But in his line of work, he witnesses much corruption and fraud, and violence, to which he is often asked to cover up. His integrity won't let him, but his hands are tied by normal measures. So the reporter dons the identity of the Question and confronts the malevolence by calling it was it is; he reports the reality of the corruption. His motive is not malevolence, but respect for reality. That's what all Ditko's later characters do. This is what Galt and Roark do. Because if it were simply enough to say "But I don't think of you," and start a Galt's gulch, there'd be no conflict and no story. But that conflict exists, and Rand and Ditko aren't Utopian dreamers, so unfortunately, the pissing and moaning are needed at times, followed by action. Ditko gives that action to his heroes.
But to consider your point: Rand and Ditko are storytellers, and depend on conflict. Rand has even admitted to creating the most conflict possible for her characters to overcome. Fine for fiction. But if a writer is basing the conflict on reality, is there a threat of over-inflating that reality to keep themselves in a job? (Rand is not unique, we have passed the millenium and yet we are subjected to STILL more apocalyptic LEFT BEHIND books. REPENT NOW!). Are Rand and Ditko overstating the evils in the world, or are they seeing things more clearly? (Edited by Joe Maurone on 10/11, 7:51pm)
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